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Textoftheday is pleased to announce its second artist's residency. For seven days from Monday April 12 we will host a series of images from the works and walks of Lizzie Calligas. Calligas is one of Greece’s leading artists. Her work includes photography, video and drawing and addresses shared social and historic spaces, both public and private. Her exhibition Metoikesis opens at the Contemporary Art Centre,Thessaloniki on 24 April 2010, and then transfers to the Benaki Museum, Athens. Metoikesis will be accompanied by a bilingual 128 page catalogue, published by Cube Art Editions with texts by Syrago Tsiara, Christina Petrinou, Claire MacDonald, John Stathatos, Christina Vlassopoulou and Aliki Tsirgialou.
11 April 2010
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01 April 2010
31 March 2010
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22 March 2010
textoftheday first residency ends
textoftheday would like to thank its first resident artists Chris Funkhouser and Zsuzsa Mitro for their 21 day collaborative posting which has extended the site into audio tomfoolery and new forms of visual curiosity. We hope to host further residencies, as well as future posts from Chris and Zsuzsa. In the meantime, back to textoftheday's resident lookout found graphics submitted by our team of international roving bricoleurs.
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28 February 2010
28.ii.10

textoftheday is pleased to announce its first residency
For 21 days from March 1 guest artists Chris Funkhouser & Zsuzsa Mitro will create a sequence of postings, serializing a collaboratively written poem in daily installments, superimposed with a found image.
Chris Funkhouser is a multimedia artist, author of Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, and Director of the program of Communication and Media at New Jersey Institute of Technology (http:web.njit.edu/~funkhous). He is currently authoring “You are, therefore I am” as daily postings on twitter (http://www.twitter.com/ctfunkhouser). Zsuzsa Mitro is a Hungarian linguist, translator & writer at large with master's degrees in English Literature from the university of Budapest & Dartmouth college.
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